Category Archives: Esoterics

G.W.Bush: Great King of Terror

Nostradamus: Century X, Quatrain 72
First published: VizReport, November 2005

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Piano Unkiltered 2

A vague, disturbing piece. Temporal and tonal conventions severely strained.


© Archangel Media Inc. 2005


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Where Two Rivers Water

In view of the Pope’s upcoming trip to Israel (May 11-15) and Ariel Sharon continuing to teeter at the brink of death, it seemed apropos to “resurrect” this montage of Biblical, Christian, Quranic, political and Nostradamian notions.

When this piece was first published, in November 2005, Ariel Sharon was Israel’s Prime Minister. In January 2006, Sharon suffered a massive stroke and slipped into a deep coma. His fate looked grimly sealed. The plausibility and certitude of the vision behind the art began to erode rapidly.

Yet, here we are, more than three years later: Sharon remains in a persistent vegetative state and Pope Benedict XVI is coming for a visit.

The interpretation embedded in this strange work differs from virtually all other commentators on the quatrains of Nostradamus; it identifies the city of “two rivers” as Jerusalem, despite the fact that it’s located in near-desert conditions. It defines the children of Abraham (Ishmael and Isaac, plus their respective descendants), as the two rivers of Abraham’s blood.

The sanguinary parallels continue: This is also the place where ritual human sacrifice was emphatically repudiated by G-d through angelic intervention; and the location at which Abraham circumcised himself, his two sons and all the men of his house. And since those days (more than 3,700 years ago), how much blood has watered this most sacred ground?

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Reproduced courtesy of VizReport

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The Foreboding Nature of Prophecy

This 2006 article mixes politics with prophecy (a volatile combination) and paints a grim picture of one possible future. Whether one believes in prophecy, or not, is almost beside the point; a great many people do. What is to stop anyone with an agenda from using such verses to his own advantage?

Not for the faint of heart.
 

Notes on John’s Revelation 
The Apocalypse of Jesus 

February 18, 2006 

jbook (VizReport) In analysing these verses, I’ll be using the King James Version (KJV) of the text because it’s generally the most widely known of the translations from the original Koine Greek — the language of the dream transcription penned by John on the island of Patmos. It’s possible that his personal copy was actually written in Aramaic, but no record of that document remains.  

‘Koine’ means ‘common’ in Greek. Though ancient Greek literature was usually composed in the more formal Attic Greek form, the prevalence of Koine Greek increased dramatically following the conquests of Alexander with increased exposure to Macedonian (and other more easterly) influences. John was a native speaker of Koine, but it seems that he also read and spoke Aramaic and possibly Hebrew. 

    Note: Aramaic itself was a hybrid of Hebrew and Syriac using the Hebrew alphabet and comprised of roughly 80% Syriac word content transliterated into Hebrew letters. The remaining 20% was Hebrew. The same development has occurred many times throughout the history of the Jews, even to the extent that dozens of Spanish dialects, including Catalan, are actually Hebrew hybrids. Yiddish, a Germanic-Hebrew hybrid, is the most familiar example of this linguistic trend. 
       

Revelation 9:1 to 9:11 

9:1. And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit. 

The star. A star that falls from heaven is often called a “shooting star” or simply, a “falling star”. In the Farsi language of Persia (Iran), this is called a “shihab” or “shahab”. Coincidentally, or not, the government of the Iranian Islamic Republic has adopted this name for their missile program. Their current series of missiles are named Shihab I, Shihab II and Shihab III. The Shihab IV, a longer-range missile capable of reaching much of Europe, is currently under development. 

A person from that time (prophet or not) would have very little knowledge of technology; the grist mill was then still considered a very remarkable invention. Missiles, aside from spears, were unknown. 

The fifth angel. Angels and stars are used almost interchangeably in the parlance of the Revelation, so it’s possible that the same is true here. Iran is reported to have at least one more significant missile in its arsenal — the air-launched, nuclear-capable, KH-55 cruise missile, which was apparently supplied covertly to Iran by a Ukrainian group. It has a range of more than 1,000 miles and a sophisticated guidance & targeting system. Janes Defence Weekly refers to the Iranian version of the KH-55 as the X-55, but it’s rumoured that some of the country’s Revolutionary Guard commanders refer to it as either the 555 or the Shihab V…the fifth “shooting star” or “angel”. 

The key. Just as knowledge can act as a key to unlock a puzzle, technical knowledge can be used as a key to unlock the secrets of the universe. In this case, a highly technological (weapon) design would be a key that opens the door to the bottomless pit of nuclear power. That’s not just a poetic way of describing the dark side of atomic energy, but an apt technical description of the power and geometricity of matter. 

The bottomless pit. A hole that’s infinitely large could logically contain an infinite amount of stuff. Theoretically, the smaller the hole, the less stuff it should be able to contain. Now, imagine an impossibly small hole packed with an impossibly huge amount of stuff. Well, there’s nothing impossible–or even improbable–about that…it’s called an atom. It’s not quite “infinite” or “bottomless”, but it’s the closest thing we can find to approximate it. 

implosion_bomb_animated1If you were to dig a hole in any spherical aggregation of matter, whether a ball, a planet, a sun, or an atom…that hole could not be bottomless because it would eventually exit the other side of the object. As a matter of fact, it becomes less and less “bottomless” as you pass the centre-point of the mass. The only way to be “bottomless” is to penetrate deeper and deeper into the “centre” of the object. There is no better description that I can think of for describing the breaching of the boundary that constrains the ultra-intense power of the atom. 
 

nuke9:2. And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit. 

Needs little explanation.

We’ve all seen movies of the immense, sky-darkening clouds, blinding flash and immense fireball generated by this sort of weaponry.  
 

9:3. And there came out of the smoke locusts upon the earth: and unto them was given power, as the scorpions of the earth have power. 

It makes sense that locusts might flee such an event, if they could, but how would such grasshoppers suddenly become as dangerous as scorpions? In a comic book plot, they would mutate, but in reality they would just die. 

helisI think it’s fairly clear that John’s not talking about ordinary locusts here, but some type of armed machinery that flies low, like a locust horde, but which can sting like a scorpion – or worse. 

But who–in their right mind–would fly a helicopter through the fallout of a nuclear blast? They would have to be suicidal. 

  • “The only tool against the enemy that we have with which we can become victorious are martyrdom-seeking operations and, God willing, our possession of faithful, brave, trained and zealous persons will give us the upper hand in the battlefield.”
      Mohammad-Reza Jaafari, Brigadier-General
      Islamic Revolutionary Guard Corps
      Commander, “Lovers of Martyrdom Garrison”
      February 13, 2006

General Jaafari has been bragging that, at last count, he has more than 50,000 suicide operatives ready and willing to gain early entrance to Paradise. This doesn’t include the country’s paramilitary Bassij units whose members are claimed by officials of the regime to be in the millions. Now, some of this can certainly be ascribed to bravado…or machismo…or some other cool sounding word for “talkin’ big”, but this is the same government that has been sponsoring suicide operations in various locales for the past quarter century. When it comes to suicide, these guys have authored the most definitive text on the subject. And they’ve written it in red. 
 

9:4. And it was commanded them that they should not hurt the grass of the earth, neither any green thing, neither any tree; but only those men which have not the seal of God in their foreheads. 

Since John describes these craft variously as locusts or scorpions, he must draw a distinction between the “things” from the vision and the everyday insects with which his average reader would be familiar. He does it by stating that these “creatures” aren’t interested in eating the shrubs and grass of the best pasture land. Some interpreters have taken this verse to mean that the “beasts” will be environmentally conscious, à la… “Ooh, don’t hurt the earth, or anything green.” That’s not it at all.

He means that they are only given one instruction: “Seize the Infidels!” 
 

9:5. And to them it was given that they should not kill them, but that they should be tormented five months: and their torment was as the torment of a scorpion, when he striketh a man. 

The flying scorpions attack successfully and then are instructed to painfully torture the captive infidels for five months. I understand that the sting of a scorpion is similar to a highly acute burning sensation. 
 

9:6. And in those days shall men seek death, and shall not find it; and shall desire to die, and death shall flee from them. 

I don’t think that there’s any sort of “good” torture, but this sounds like the worst kind.
 

9:7. And the shapes of the locusts were like unto horses prepared unto battle; and on their heads were as it were crowns like gold, and their faces were as the faces of men. 

The word “shape” is one translation, but “form” is a better one. Like horses assembled for battle; arrayed as a group, armoured, and representing uniformity of purpose and action. These are not horses, though, but “flying scorpions”. The faces of men will be seen at the front. And above them… an impressive circlet of rotating metal. 
 

9:8. And they had hair as the hair of women, and their teeth were as the teeth of lions. 

Two translation issues here: This should be “manes” not “hair” to be consistent with the descriptive horse/lion theme. And, as in a certain part of Zechariah, where the word “woman” is routinely substituted for “fire” (Hebrew/Aramaic: ishah vs. a’isha or isheh), the same thing seems to be happening here. 

These horses will have manes of fire, i.e., they will be military jet helicopters, with fire flowing out behind them. 

And, like lions, they will be equipped to do battle. 
 

9:9. And they had breastplates, as it were breastplates of iron; and the sound of their wings was as the sound of chariots of many horses running to battle. 

Once again: armoured. And their blurred, locust-like wings would beat a loud rhythmic sound, like war chariots and their heavy horses charging to battle. (These verses really are beautifully written, but considering the content, it’s a cruel sort of beauty.) 
 

9:10. And they had tails like unto scorpions, and there were stings in their tails: and their power was to hurt men five months. 

Long tails, like scorpions…or helicopters. And, like the scorpion, possessed of a blade at the tip. Imagine a blade so sharp that it can cut the air. The duration of five months is restated, in association with the word “power”. 
 

9:11. And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon. 

The king of all these weapons is the atomic. It is the key to the bottomless pit.

In Hebrew, the word Abaddon means “destruction” or “destroyer”, but events are sometimes named for the place at which they occur, like Hiroshima – a name synonymous with atomic destruction. This could be a double entendre.

*** 

Dr. Robert Oppenheimer, upon witnessing the first successful atomic explosion, mouthed to himself (somewhat regretfully) this short passage from the Baghavad Gita; “I am become death, the destroyer of worlds.”  

Reproduced courtesy of VizReport

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9/11: Back to The Future

By popular demand, and courtesy of VizReport and Graphic Exchange magazine, we have resurrected this bizarre collection of media exposures that, viewed in hindsight, appear to presage the fateful events of September 11th, 2001.

(Originally printed October 2001 in Graphic Exchange magazine with the title “Your New World Order has arrived… and it’s a combo platter.”)

The 9-11 Pre-Echo Gallery
Graphic Exchange: October, 2001; VizReport: March 14, 2006

It’s not unusual for us to recall significant events from our past, but it’s certainly less common (one might even venture to say that it would be remarkable) to recall moments of great impact from our future.

combo22However, that’s exactly what appears to have happened to hundreds–maybe thousands–of people in advance of the September 11, 2001, terrorist attacks. While countless people dreamed of those events in the days prior to their ultimate unfolding, there also exists a catalogue of media products (created in the months prior) that chronicle the story in chilling detail.

Insofar as the arts community is more acutely attuned to imagery than the average citizen, it’s not surprising that they would be more likely to experience and recall pre-cognitive images and themes that might occur to them in sleep or other moments of reverie. It’s also understandable that since their occupation involves the creation of images, that these themes would migrate into their everyday work.

Let’s examine some of the more startling examples of this phenomenon.

egyptcalMark that Calendar
It would be easy to assume, especially since the calendar shown here was produced in a primarily Muslim country (Egypt) and the text says something about laying down one’s life for Allah…and the picture shows an aircraft crashing with the NYC skyline in the background…and the month shown is September 2001…that the creators of this art might have had some foreknowledge of the events to come.

This may not be the case — even though the piece was printed in May of that year, several months in advance of 9-11 — because this is far from an isolated instance. Examples of such mysterious insight come from all across the globe.

Granted, most of the other examples didn’t feature quotations extolling martyrdom, but they did come close to exposing the entire plot before it even occurred.

dreamtheater“Live Scenes from New York”
The popular progressive rock band, Dream Theater, released this CD at around the same time as the attacks, but the artwork was put together the previous Spring.

The cover art depicts a literal “Big Apple” in flames, with the Twin Towers prominently displayed in the midst of the fire. The monotone-gray background of the image is so reminiscent of the charred and dusty ruins that we’ve all come to associate with Ground Zero.

The CD was subsequently released with the band’s logo in the central position on the cover, rather than the original controversial image.

teletriesteTwo Twins in One
The artwork for German band Tele Trieste’s 2001 CD (label: Insekt Angelica) was already on the market when the planes struck the WTC and the Pentagon. The design was essentially completed during April and May of 2001. The CD released: June, 2001.

The Twin Towers are central to the theme of the work, as are the two planes, which appear to be on a collision course. The CD contains the recording of a live session from April 7, 2001, but the year is given as 1462.

trieste-textLater, I found the following… The year 1462 was the birth year of both renowned German cryptographer Johannes Trithemius (speaking of hidden messages) and Louis XII of France. Curiously, it was also the year in which Vlad III of Wallachia (Dracula) was defeated and deposed by the Ottomans. He would rise again to rule for less than a year in 1476, but would die shortly after regaining his Transylvanian throne. It is worthwhile noting that Vlad, despite his infamous proclivity for extreme violence (especially for impaling his victims), was not only a central figure in the crusade against the Islamic Ottoman Empire, but was widely credited with halting the spread of Islam into Europe.

coupA Highly Explosive Pre-Echo
Meanwhile, back in North America, The Coup was working on their new release, Party Music. Two members of the hip hop team are depicted choreographing the destruction of America’s ultimate symbol of capitalism, the World Trade Center.

The explosions on the towers even appear to be occurring at the same relative positions at which the ill-fated planes would later impact the structures. The cover art would be revised before the CDs were shipped, but the graphics were completed in May and June of 2001.

healing2A Sombre View
This ad was placed in Canadian industry publication Graphic Exchange by a stock photo agency. While the aim was to invite people to recover from the use of poor photographic stock imagery, the eventual context in which it would be viewed lends it a definite air of prescience.

One anguished reader wrote the publisher to complain about the ad, which seemed to be callously using the tragedy to sell photographic images, and only later realised that the issue pre-dated 9-11 by months.

The publisher is still spooked by the odd timing and the particular choice of image, which, like the background of the Dream Theatre CD art, is so gray and sombre.

It’s not odd that the WTC structures would be featured in so many images because they were among the most photographed buildings in the world. However, the range of images created during this timeframe uniquely tend to have either explosive or ‘memorialistic’ themes.

mibsA Cartoon Becomes Less Funny
This is an animation frame from Men in Black: The SeriesEpisode 50.

Columbia Pictures’ own website carries the following plot outline:

50. The Breaking News Syndrome
Agent X has taken the liberty of inviting an interstellar version of the show COPS to come and film him in action. Zed takes back X’s liberties, and assigns the camera crew to film Agent Kay instead. Meanwhile, Drekk’s back on Earth, and he’s ready for his close up as well.

The summary neglects to mention that a battle takes place atop Building 2 of the WTC, during which parts of the building are destroyed. Agent J surprises Drekk (the villain) with a water cannon and Drekk is blown off the building by the water. When the camera crew asks Agent J why he initially appeared on the wrong building, he casually responds, “Really, I was on the right building. It’s a little sneak attack manoeuvre I like to call 9-1-1.”

Episode first aired: May 12, 2001

The Remote Guidance Plot
One of the most shocking pre-echoes, for me, was the pilot episode of the short-lived X-Files spin-off; The Lone Gunmen. The storyline reveals a plot to fly a commercial jetliner into the World Trade Center. Although I do agree that remote control was used in the actual attack, I don’t necessarily subscribe to every aspect of the plot as scripted.

The show outline was written in late 2000 and the actual pilot first took to the air, so to speak, on March 4, 2001, on the Fox Television Network. (Critical scenes begin at 29:00)


This excerpt is herewith included under the fair use provisions of the Copyright Act as an integral and newsworthy aspect of our examination of this incredible pre-cognitive phenomenon.

But… How can this be?

As is evident from many of the 9-11 sites I’ve explored on the Web, some people would obviously prefer to believe that there’s a massive media conspiracy to cover up its own involvement in this nefarious work with one hand, while rubbing our noses in it with the other. Conspiracies obviously do exist, but the examples provided here may not be evidence of one.

However, these images may be proof of something else entirely.

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