Category Archives: Life

Still Not Funny

“We’ll laugh about this when we’re older,” people are fond of saying after going through a rough patch together. But is it true?

Apparently not when it comes to cartoon images of the Islamic prophet Mohammed. 

Denmark cartoonist Kurt Westergaard’s unflattering portrait of the prophet capped by a bulbously bomb-laden, fuse-lit turban appeared alongside eleven other similarly-topical, debatably-comical entries in the Jyllands-Posten newspaper in September of 2005.

He is apparently now trying to sell numbered prints of his work over the internet. 
 

Here’s a Flashback from early 2006, courtesy of VizReport:

Khartoons 
Apparently, Not a Laughing Matter 

February 10, 2006 (Photo: wikipedia) 

muhammadpg (VizReport) How can pictures printed in a Danish newspaper last September be causing such massive upheaval today? 

It seems that a lot of people are confounded by the protests (some of them violent) that are currently raging worldwide against cartoons depicting the Islamic prophet Mohammed. 

The whole thing appears to have started when Danish author Kåre Bluitgen had a tough time trying to find someone to illustrate his children’s book on the life of the prophet. When the matter came to the attention of the cultural editor of the Danish newspaper Jyllands-Posten, Flemming Rose, he contracted twelve different artists to provide their own visual interpretations of Mohammed for a commentary on the basic problem faced by Bluitgen. 

Well, things quickly spiralled out of control; ambassadors were recalled; envoys were expelled; the Libyan embassy in Denmark was closed; apologies were issued; boycotts against Danish goods were initiated; dramatic demonstrations were held; more newspapers printed the offending images; apologies were issued; and several political cartoonists went into hiding. 

Did I mention that apologies were issued? In fact, the management of Jyllands-Posten apologised before widespread protests even broke out. Most of the other newspapers that re-printed the pictures have also since apologised. However, few apologies will be forthcoming from Western governments (as demanded by many protesters) because the press in the West is generally free from direct government control. Things are very different in a number of Muslim majority countries where freedom of the press is usually subject to the wishes of the ruling party. 

On a religious basis, there are two very different reasons for the cartoons to have caused a fuss: 

1) Idolatry – Any depiction that is flattering runs the risk of becoming an icon for worship. This is directly descended from the Book of Exodus, the second of the five books of Moses. 

Actually, the verse (Exodus XX; the basis of the Ten Commandments) doesn’t say that one shouldn’t draw pictures of prophets — it says that one shouldn’t draw pictures. Period. 

This is a difficult concept for us to imagine in our image-saturated world. 

Geometry is okay. Words are okay. But no pics. 

2) Blasphemy – Following right along into the next commandment: Don’t take the Lord’s name in vain. 

This, I imagine, would also include defaming the Lord, or the word of the Lord as faithfully presented by his prophets, or his faithful prophets…in that this would reflect on the perception of the Lord’s word. 

The extension to the basic precept opens the door to potential offense if everyone is not in complete agreement on an “official” list of prophets. 

On a sociological level, it’s easy to understand why people fervently devoted to Islam could be upset with some of the images. There’s no doubt about it; some of the pictures and commentary could be considered anti-Islamic. Most of them are in poor taste, to one degree or another. That has definitely provided the emotional impetus to get people out the door to protest. 

But this is about more than just a few ill-conceived cartoons. It’s an expression of the pressure and desperation that is building in the world. 

It’s also about the objectives of several groups that seem reticent to allow this unfortunate episode to progress to its most logical and productive resolution. I can’t tell you why some people see it as their job to fan flames wherever they find them. Some even carry matches. Others, gasoline! 

Well, that would certainly explain the burned-out embassies and consulates. 

islm_cartoon_3aThe best cartoon of the lot (by Arne Sørenson) goes directly to the heart of Bluitgen’s dilemma. It depicts an artist sweating nervously as he surreptitiously works by low light, windowshade drawn, on a picture of what we are told is Mohammed. 

This is an image with humanity. It doesn’t disrespect anyone’s religion, but comments effectively on a bizarre situation faced by professionals who normally create graven images without a second thought. 

It may be impermissible for reverent Muslims to respectfully portray Mohammed in pictures, but the same does not necessarily hold true for non-believers. And even if it did, it is also a fundamental tenet of Islam that the punishment should fit the crime…but not in the way that Iran has attempted to turn the controversy in their own favour, by organising a cartoon competition. Topic: The Holocaust.

Perhaps someone can point out for me exactly where in the Qur’an it says that two wrongs make a right.

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Filed under Arts, Conflict, Images, Life

9/11: Back to The Future

By popular demand, and courtesy of VizReport and Graphic Exchange magazine, we have resurrected this bizarre collection of media exposures that, viewed in hindsight, appear to presage the fateful events of September 11th, 2001.

(Originally printed October 2001 in Graphic Exchange magazine with the title “Your New World Order has arrived… and it’s a combo platter.”)

The 9-11 Pre-Echo Gallery
Graphic Exchange: October, 2001; VizReport: March 14, 2006

It’s not unusual for us to recall significant events from our past, but it’s certainly less common (one might even venture to say that it would be remarkable) to recall moments of great impact from our future.

combo22However, that’s exactly what appears to have happened to hundreds–maybe thousands–of people in advance of the September 11, 2001, terrorist attacks. While countless people dreamed of those events in the days prior to their ultimate unfolding, there also exists a catalogue of media products (created in the months prior) that chronicle the story in chilling detail.

Insofar as the arts community is more acutely attuned to imagery than the average citizen, it’s not surprising that they would be more likely to experience and recall pre-cognitive images and themes that might occur to them in sleep or other moments of reverie. It’s also understandable that since their occupation involves the creation of images, that these themes would migrate into their everyday work.

Let’s examine some of the more startling examples of this phenomenon.

egyptcalMark that Calendar
It would be easy to assume, especially since the calendar shown here was produced in a primarily Muslim country (Egypt) and the text says something about laying down one’s life for Allah…and the picture shows an aircraft crashing with the NYC skyline in the background…and the month shown is September 2001…that the creators of this art might have had some foreknowledge of the events to come.

This may not be the case — even though the piece was printed in May of that year, several months in advance of 9-11 — because this is far from an isolated instance. Examples of such mysterious insight come from all across the globe.

Granted, most of the other examples didn’t feature quotations extolling martyrdom, but they did come close to exposing the entire plot before it even occurred.

dreamtheater“Live Scenes from New York”
The popular progressive rock band, Dream Theater, released this CD at around the same time as the attacks, but the artwork was put together the previous Spring.

The cover art depicts a literal “Big Apple” in flames, with the Twin Towers prominently displayed in the midst of the fire. The monotone-gray background of the image is so reminiscent of the charred and dusty ruins that we’ve all come to associate with Ground Zero.

The CD was subsequently released with the band’s logo in the central position on the cover, rather than the original controversial image.

teletriesteTwo Twins in One
The artwork for German band Tele Trieste’s 2001 CD (label: Insekt Angelica) was already on the market when the planes struck the WTC and the Pentagon. The design was essentially completed during April and May of 2001. The CD released: June, 2001.

The Twin Towers are central to the theme of the work, as are the two planes, which appear to be on a collision course. The CD contains the recording of a live session from April 7, 2001, but the year is given as 1462.

trieste-textLater, I found the following… The year 1462 was the birth year of both renowned German cryptographer Johannes Trithemius (speaking of hidden messages) and Louis XII of France. Curiously, it was also the year in which Vlad III of Wallachia (Dracula) was defeated and deposed by the Ottomans. He would rise again to rule for less than a year in 1476, but would die shortly after regaining his Transylvanian throne. It is worthwhile noting that Vlad, despite his infamous proclivity for extreme violence (especially for impaling his victims), was not only a central figure in the crusade against the Islamic Ottoman Empire, but was widely credited with halting the spread of Islam into Europe.

coupA Highly Explosive Pre-Echo
Meanwhile, back in North America, The Coup was working on their new release, Party Music. Two members of the hip hop team are depicted choreographing the destruction of America’s ultimate symbol of capitalism, the World Trade Center.

The explosions on the towers even appear to be occurring at the same relative positions at which the ill-fated planes would later impact the structures. The cover art would be revised before the CDs were shipped, but the graphics were completed in May and June of 2001.

healing2A Sombre View
This ad was placed in Canadian industry publication Graphic Exchange by a stock photo agency. While the aim was to invite people to recover from the use of poor photographic stock imagery, the eventual context in which it would be viewed lends it a definite air of prescience.

One anguished reader wrote the publisher to complain about the ad, which seemed to be callously using the tragedy to sell photographic images, and only later realised that the issue pre-dated 9-11 by months.

The publisher is still spooked by the odd timing and the particular choice of image, which, like the background of the Dream Theatre CD art, is so gray and sombre.

It’s not odd that the WTC structures would be featured in so many images because they were among the most photographed buildings in the world. However, the range of images created during this timeframe uniquely tend to have either explosive or ‘memorialistic’ themes.

mibsA Cartoon Becomes Less Funny
This is an animation frame from Men in Black: The SeriesEpisode 50.

Columbia Pictures’ own website carries the following plot outline:

50. The Breaking News Syndrome
Agent X has taken the liberty of inviting an interstellar version of the show COPS to come and film him in action. Zed takes back X’s liberties, and assigns the camera crew to film Agent Kay instead. Meanwhile, Drekk’s back on Earth, and he’s ready for his close up as well.

The summary neglects to mention that a battle takes place atop Building 2 of the WTC, during which parts of the building are destroyed. Agent J surprises Drekk (the villain) with a water cannon and Drekk is blown off the building by the water. When the camera crew asks Agent J why he initially appeared on the wrong building, he casually responds, “Really, I was on the right building. It’s a little sneak attack manoeuvre I like to call 9-1-1.”

Episode first aired: May 12, 2001

The Remote Guidance Plot
One of the most shocking pre-echoes, for me, was the pilot episode of the short-lived X-Files spin-off; The Lone Gunmen. The storyline reveals a plot to fly a commercial jetliner into the World Trade Center. Although I do agree that remote control was used in the actual attack, I don’t necessarily subscribe to every aspect of the plot as scripted.

The show outline was written in late 2000 and the actual pilot first took to the air, so to speak, on March 4, 2001, on the Fox Television Network. (Critical scenes begin at 29:00)


This excerpt is herewith included under the fair use provisions of the Copyright Act as an integral and newsworthy aspect of our examination of this incredible pre-cognitive phenomenon.

But… How can this be?

As is evident from many of the 9-11 sites I’ve explored on the Web, some people would obviously prefer to believe that there’s a massive media conspiracy to cover up its own involvement in this nefarious work with one hand, while rubbing our noses in it with the other. Conspiracies obviously do exist, but the examples provided here may not be evidence of one.

However, these images may be proof of something else entirely.

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Acute Respiratory Retrospective

Given our prevailing concerns about swine flu, this might be a good time to look back at the 2003 SARS crisis. Reproduced below, courtesy of VizReport, is a 2006 SARS retrospective written at a time when we feared a widespread outbreak – not of swine flu – but of avian influenza (bird flu).

A Deadly Flu By Any Other Name…
The Truth About SARS 

February 22, 2006 (Photo: www-micro.msb.le.ac.uk) 

sars

(VizReport) 1993 was a watershed year for research conferences on pandemic influenza. Plans were laid to fend off the perpetually looming scourge of a disastrous, widespread, virulent flu outbreak.

Ten years later, in 2003, a mystery infection dubbed “Severe Acute Respiratory Syndrome” (SARS) would provide a practical opportunity to test those those theories.

Though SARS is not a variety of influenza, its symptoms were strikingly similar to a severe flu. To better understand the functional relationship between SARS and the now seemingly imminent bird flu, it would be helpful to return to 1993…

The Groundwork
The Working Group on Influenza Pandemic Preparedness and Emergency Response (GrIPPE — the acronym spells the French word for influenza) was formed in that year under the aegis of the United Nations and quickly undertook its first meeting. It was immediately agreed that any approach with a reasonable expectation for success would have to be an international effort coordinated at the utmost level by the World Health Organisation (WHO).

Later that same year, the GEIG (Groupe d’Etude et d’Information sur la Grippe — of France) gathered in Berlin with representatives from WHO, as well as from GrIPPE and many other regional and international groups, to determine the best possible methods for reacting to an emerging pandemic.

Among their priorities was the intent to avoid a repeat of the 1976 swine flu fiasco in the U.S., which was thought to be similar to the notorious “Spanish Flu” that killed 50 million or more people, worldwide, in 1918 and 1919. Production of a new Swine Flu vaccine was pressed into overdrive because of widespread, media-inflated hype and approximately 40 million Americans (including US President Gerald Ford) dutifully lined up for their shots.fordswineflushot11 Unfortunately, some of the vaccine stocks were contaminated, which gave rise to an unexpected and sometimes tragic neurological complication known as Guillain-Barré Syndrome.

Given that antiviral drugs had demonstrated limited success in combating the flu, it was agreed (at that conference, as well as in all subsequent discussions) that vaccination provided the human body with its best means of defense. Although newer antivirals (oseltamivir aka “Tamiflu”, and zanamivir aka “Relenza”) have come to market having demonstrated preventative as well as remedial advantages, the progress in the field of antivirals must still be considered to be in its infancy.

Many surveys and studies were conducted over the following eight years, but the attacks on New York and Washington, in September of 2001, resurrected a slumbering fear in the minds of researchers and the public alike that the hostile use of weaponised pathogens could indeed be imminent. In fact, the anthrax mailings which almost perfectly coincided with the plane hijackings, dispelled all doubt for most medical emergency planners.

The world watched via CNN as the CDC (the Centres for Disease Control, headquartered in Atlanta) and U.S. federal authorities dashed madly about trying to cope with a growing menace as anthrax seemed to be showing up in new places every day; eliciting postal restrictions, quarantines, and an intense forensic investigation that – to this day – remains unresolved.

Any contagious outbreak characterised by the acute onset of severe symptoms with above average mortality statistics automatically qualifies as a potential pandemic.

In the WHO pandemic regime, there are six tiers:

Phase 0 is the time in-between pandemics.

Phase 1 is the Alert stage, signifying that somewhere in the world a new strain has surfaced or that an older strain has re-emerged.

Phase 2 is the Confirmation stage, wherein an epidemic is declared in an affected region.

Phase 3 is International stage, at which point the pathogen has reached epidemic proportions in more than one country.

Phase 4 is the Impact phase which is relative to any region it affects and is measured by the amount of disturbance the epidemic causes in that particular region.

Phase 5 is the Resolution phase, wherein the pathogen ceases to be a factor in an affected region.

[Editor’s note: The WHO’s epidemiological phases, above, are different from the Pandemic Severity Index adopted by the U.S. Dept. of Health and Human Services in 2007, which rates pandemics (worldwide epidemics) based on five Categories, similar to the Saffir-Simpson Hurricane Scale.]

SARS: Toronto 2003
You will notice that the SARS outbreak conformed to each of the WHO phases:

 

1. A serious, unknown illness erupts in HongKong.
2
. Many people began to fall ill. Possible epidemic.
3
. Origin traced to Guangdong, China. Shows up in Toronto, Canada.
4
. Quarantine and treatment measures invoked.
5
. Illness subsides. No new cases. 

While SARS was not officially declared a pandemic (and relatively few people actually died because of it; fewer than 75) the disease provided a reliable test case for the handling of an unknown and virulent pathogen based simply upon a disease “profile”, rather than upon an identifiable bacterium or virus. This is an important point.

The name, SARS, is an acronym for Severe Acute Respiratory Syndrome. That’s about as generic as one can get. In other words, patients get sick very rapidly and display marked respiratory distress.

That sounds an awful lot like pneuomonia. In fact, quite a few of the patients succumbing to the “disease” did test positive for pneumonia, though such confirmations were often ruled to be secondary complications of the primary syndrome. Every year in Canada, thousands of people die from respiratory diseases, particularly those with compromised immune systems and those of advanced years. The SARS outbreak in Canada was consistent with the typical yearly presentations with one small difference; doctors were provided a “menu” of symptoms against which to evaluate their incoming patients. Those who matched the “profile” within a certain tolerance were classified as “suspected” SARS cases while those who matched it more tightly were classed as “confirmed” SARS cases.

Early in the epidemic, the profile did not include a specific pathogen, just as the case would be in the early stages of almost any outbreak. Later, a coronavirus was added to the ‘profile’ in order to make a true 100% diagnosis achievable.

Later, it was determined that two separate (and generally unrelated) coronaviruses were linked to the confirmed cases. Since neither of the two viruses was a “recombinant” of the other (directly linked by sharing genetic material within a single patient) the chance of both being related to the SARS outbreak was remote.

That was a significant clue to the mystery, which, if followed to its logical end, would result in a fairly solid determination that most of the victims of SARS actually died from pneumonia brought on by fairly common colds.

Interestingly, fewer people died from severe respiratory complications during the SARS “outbreak” than in any recent year I can recall. This can be attributed to the fact that people received prompt and conscientious treatment under the rigorous protocols mandated by the public health offices (following the WHO guidelines) than they otherwise would have received during the course of a “normal” year, but that might not be the only reason.

There are a number of Ontario cities (London, Toronto, Ottawa, Kingston and Windsor among them) that match up on a demographic basis against many North American and European cities. The standard of health care in these centres is quite high; the populations are docile and sophisticated; also, the respective standards of living would have to be considered among the best in the world. In short, having an outbreak in Toronto is something of a “best case scenario”.

If the world health community was looking for the ideal place to test an emergency response plan, complete with quarantines and press conferences on a daily basis, they couldn’t pick a better place than Toronto. The populace is compliant and well mannered, affording a lesser chance of social disruption. The standard of medical care, regardless of income, is very good, thus eliminating much class-skewing in the data. The medical infrastructure is advanced; the training of staff excellent; the community literacy rate high – all leading to excellent testbed uniformity. The communications infrastructure of the southern Ontario region, particularly of Toronto, is top-notch. This would ensure the efficient dissemination of messaging critical to the management of the crisis.

Logically, it fits the storyline quite well, too. It’s a very multicultural destination with a large and vibrant Chinese community, making it a perfect tie-in to the initial outbreak overseas.

I have no doubt that the target “condition” was influenza, but that the profile was changed somewhat so as not to make the pathogen easily identifiable. The “schedule of symptoms” defined the proposed “syndrome”, rather than it being attached to a specific virus.

The whole exercise worked like a mugshot identification process, rather than a fingerprint check.

The doctors and organisations were put through their paces in a “real-world” test and evaluated under the pressure of a potential killer disease. In the end, some of the planned processes were improved and others initiated; fewer people than average died because of the heightened alert level; and the impact of any future epidemic or pandemic will likely be mitigated as a result.

 

It was a win-win-win situation. 

Bird Flu Comparisons
When we contrast the exercise known as SARS against a true potential pandemic, like the current H5N1 “bird flu”, the differences and the similarities are immediately obvious.

Both had their origin in Asia and have claimed dozens of lives, mainly due to severe and acute respiratory symptoms.

The most formidable transmission mechanism in the case of SARS was human contact. For avian influenza (bird flu), transmission to humans has primarily occurred through contact with birds; chiefly, infected domestic fowl.

The mortality rate for bird flu is higher than for SARS. It has the potential to pose a significant pandemic risk, but only if human-to-human contact becomes its primary transmission conduit and it maintains or increases in lethality. So, let’s hope that doesn’t happen.

One of the clinical difference between the two outbreaks is the method used to define them. While doctors dealing with SARS were forced to use a coarse, subjective “mugshot” approach, those discriminating between the H5N1 avian flu and other “bugs” will have more than fuzzy pictures to work with…even more than crisp fingerprints…they’ll be using DNA and RNA to precisely profile the little nasties.

The SARS experience was more about the procedures that need to be adopted when the labs are too busy to process all the samples. It was about judgment calls and fuzzy logic. It was also probably one of the most complex social experiments ever undertaken by the WHO.

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